ブリュノ・ラトゥールによる

• Iconoclash. Beyond the Image Wars in Science, Religion and Art, edited by Bruno Latour and Peter Weibel, Cambridge, Mass., MIT Press, 2002.
• Making Things Public. Atmospheres of Democracy, edited by Bruno Latour and Peter Weibel, Cambridge, Mass., MIT Press, 2005.

ブリュノ・ラトゥールが監修して話題となった展覧会図録ふたつ。どちらも論文集と言っていい浩瀚さ。

この数年来ブリュノ・ラトゥールの仕事が重要なものに感じられて、機会があればまわりにもそう語ってきたものの、まだ日本では科学史研究の文脈でしか受容されていないのか、いまひとつラトゥールの面白さを理解してもらえないよう。昨年に『イコノクラッシュ』展の序文（のフランス語版）が『近代のファクティッシュの神々の崇拝について』とともに再刊されたこともあり、文化や芸術に関するラトゥールの仕事の射程を見極める端緒となりそうな、ふたつの展覧会図録の書誌情報を覚え書き。

Iconoclash. Beyond the Image Wars in Science, Religion and Art, edited by Bruno Latour and Peter Weibel, Cambridge, Mass., MIT Press, 2002.

What is Iconoclash ?

• Bruno Latour, What Is Iconoclash ? Or Is There a World Beyond the Image Wars ? (p. 14-) [PDF]

Why do images trigger so much furor ?

• Pema Konchok, Buddhism as a Focus of Iconoclash in Asia (p. 40-)
• Moshe Halberthal, God doesn't live there anymore (p. 60-)
• William Pietz, The Sin of Saul (p. 63-)
• Olivier Christin, The Idol King ? (p. 66-)
• Raymond Corbey, Image-Breaking on the Christian Frontier (p. 69-)
• Alfred Birnbaum, Gilded Silence: The King of Kosala's Sixteen Dreams (p. 72-)
• Pierre Centlivres, Life, Death, and Eternity of the Buddhas in Afghanistan (p. 75-)
• Luc Boltanski, The Fetus and the Image Wars (p. 78-)
• Mick Taussig, Old Glory (p. 82-)
• Gregor Jansen, Berlin, Anno 1967 (p. 84-)

Why are images so ambiguous ?

• Dario Gamboni, Image to Destroy, Indestructible Image (p. 88-)
• Lorraine Daston, Nature Paints (p. 136-)
• Brigitte Derlon, From New Ireland to a Museum: Opposing Views of the Malanggan (p. 139-)
• Peter Geimer, Searching for Something. On Photographic Revelations (p. 143-)
• Jean-Marc Lévy-Leblond, Galileo's Finger (p. 146-)
• Dominique Linhardt, All Windows Were Open, but Nothing Happend. Nothing ? Well... Except a Lot! (p. 148-)
• Bruno Pinchard, Tender Blasphemy: Three States of the Image, Three States of Love in the Renaissance (p. 151-)
• Jerry Brotton, Saints Alive. The Iconography of Saint George (p. 155-)
• Miguel Tamen, Theophilia (p. 158-)

Why do Gods object to images?

• Joseph Koerner, The Icon as Iconoclash (p. 164-)
• Pierre-Olivier Léchot, »Idols Fall and the Gospel Arises!« The Farel Memorial in Neuchâtel: History of a Paradox (p. 214-)
• Jean-François Clément, The Empty Niche of the Bamiyan Buddha (p. 218-)
• Jean-Michel Frodon, The War of Images, or the Bamiyan Paradox (p. 221-)
• Catherine Lucas, The Hidden Imam (p. 224-)
• Ramon Sarrô, The Iconoclastic Meal: Destroying Objects and Eating Secrets Among the Baga of Guinea (p. 227-)
• John Tresch, Did Francis Bacon Eat Pork ? A Note on the Tabernacle in »New Atlantis« (p. 231-)
• Patricia De Aquino, No Freeze-Frame on Gods (p. 234-)

The unbearable image

• Sophie Ristelhueber, »Dévisager« - Taking Images on a Minefield. A Picture of Sophie Ristelhueber as seen by Bruno Latour (p. 240-)
• Khalil Joreige and Joanna Hadjithomas, A State of Latency (p. 242-)
• Margrit Rosen, Shooting the Dead (p. 248-)

The unbearable sound

• Denis Laborde, The Strange Career of Musicoclash (p. 254-)

The unbearable movement

• Borys Groys, Iconoclasm as Artistic Device. Iconoclastic Strategies in Film (p. 282-)
• Sabine Himmelsbach, Addicted to Noise. On Video Installations by Candice Breitz (p. 296-)

How can an image represent anything ?

• Peter Galison, Images Scatter into Dada, Dada Gather Into Images (p. 300-)
• Marie-José Mondzain, The Holy Shroud. How Invisible Hands Weave the Undecidable (p. 324-)
• Christian Kassung and Thomas Macho, Imaging Processes in Nineteenth Century Medicine and Science (p. 336-)

Why is destruction necessary for construction ?

• Peter Sloterdijk, Analytical Terror. Keyword for Avant-Gardism as Explicative Force (p. 352-)
• Hans-Ulrich Obrist, Milano Triennale 68: A Case Study and BEYOND. Arata Isozaki's Electronic Labyrinths, a »ma« of Images ? (p. 360-)
• Peter Geimer, Dealing the Joker in Berlin (p. 384-)
• Andrei Mogoutov and Arkadi Nedel, No Place, no Matter: the Making Dense of Utpia (p. 386-)

Are there limits to iconoclasm ?

• Hans Belting, Beyond Iconoclasm. Nam June Paik, the Zen Gaze and the Escape from Representation (p. 390-)
• Caroline Jones, Making Abstraction (p. 412-)
• Nathalie Heinich, Baquié at Malpassé: an »Adventure« in Contemporary Iconoclasm? (p. 417-)
• Albena Yaneva, Challenging The Visitor To Get The Image: on the Impossible Encounter of an Adult and a Pig (p. 421-)
• Hans Belting, Invisible movies in Sugimoto's »Theaters« (p. 423-)
• Dörte Zbikowski, Dematerialized. Emptiness and Cyclic Transformatoin (p. 428-)

Can the Gods cohabit together ?

• Heather Stoddard, The Religion of Golden Idols (p. 436)
• Bruno Pinchard, Moses and the Suspended Iconclastic Gesture (p. 456-)
• Z. S. Strother, Iconoclasm by proxy (p. 458-)
• Elizabeth Claverie, Taking Pictures of Supernatural Beings? (p. 460-)
• Anne-Christine Taylor, The Face of Indian Souls: a Problem of Conversion (p. 462-)
• Andreas Mayer, The Fetish-Scientist, or Why Would Anyone Force Someone to Kiss the Bust of Franz Josef Gall? (p. 465-)
• Lydia Marinelli, Freud's Fading Gods (p. 468-)
• Tobbie Nathan, Breaking Idols ... a Genuine Request for Initiation (p. 470-)

But there is no image anymore anyway !

• Richard Powers, The Artist's Bedlam (p. 476-)
• Michel Jaffrennou, Ceci n'est plus une image! (p. 479-)
• Samuel Bianchini, The Theater of Operations (p. 483-)
• Noortje Marres, May the True Victim of Defacement Stand Up! On Reading The Network Configurations Of Scandal On The Web (p. 486-)
• Norman M. Klein, Instruments of power: Notes on the Future of Media (p. 490-)

Can we go beyond the image wars ?

• Simon Schaffer, The Devices of Iconoclasm (p. 498-)
• Hans-Jörg Rheinberger, Auto-Radio-Graphics (p. 516-)
• Jörg Huber, On the Credibility of World-Pictures (p. 520-)

Has critique ended ?

• Robert Koch, The Critical Gesture in Philosophy (p. 524-)

What has happened to modern art ?

• Adam Lowe, To See the World in a Square of Black (p. 544-)
• Peter Weibel, An End to the »End of Art«? On the Iconoclasm of Modern Art (p. 570)

Making Things Public. Atmospheres of Democracy, edited by Bruno Latour and Peter Weibel, Cambridge, Mass., MIT Press, 2005.

Introduction

• Bruno Latour, From Realpolitik to Dingpolitik or How to Make Things Public (p. 14-) [PDF]

1. Assembling or Disassembling?

• Elizabeth Edwards, A Palaver at Tutuila Samoa, 1883. Two Photographs by Captain William A.D. Acland (p. 48-)
• Philippe Descola, No Politics Please (p. 54-)
• Masato Fukushima, On Small Devices of Thought. Concepts, Etymology and the Problem of Translation (p. 58-)
• Amiria Henare, WAI 262. A Maori“Cultural Property”Claim (p. 64-)
• Angela Zito, “This Is Not a Façade” (p. 70-)
• Pascale Bonnemére, Pierre Lemonnier, An Election in Papua New Guinea (p. 86-)
• Pierre Lagrange, Diplomats without Portfolios. The Question of Contact with Extraterrestrial Civilizations (p. 90-)

2. Which Cosmos for Which Cosmopolitics?

• Bazon Brock, Divisionem sententiae postulare. Self-laceration (p. 100-)
• Giuseppe Pavanello, Good and Bad Government: Siena and Venice (p. 108-)
• Simon Schaffer, Sky, Heaven and the Seat of Power (p. 120-)
• Michael Hagner, The Pantheon of Brains (p. 126-)
• Anita Herle, Transforming Things. Art and Politics on the Northwest Coast (p. 132-)
• Elizabeth Edwards, Pete James, “Our Government as Nation”. Sir Benjamin Stone’s Parliamentary Pictures (p. 142-)

3. The Problem of Composition

• Dario Gamboni, Composing the Body Politic. Composite Images and Political Representation, 1651-2004 (p. 162-)
• Simon Schaffer, Seeing Double. How to Make Up a Phantom Body Politic (p. 196-)
• Golan Levin, JJ (p. 203-)
• Richard Aczel, Márton Fernezelyi, Robert Koch, Zoltan Szegedy-Maszak, Reflections on a Table (p. 204-)
• Noortje Marres, Issues Spark a Public into Being. A Key but Often Forgotten Point of the Lippmann-Dewey Debate (p. 208-)
• Michel Jaffrennou, Thierry Coduys, Mission Impossible. Giving Flesh to the Phantom Public (p. 218-)
• Ismael Celis, InterSections/ZKM. A Project (p. 224-)
• Denis Laborde, Freedom for Music! Intuition and the Rule (p. 228-)
• Ana Miljacki, Classes, Masses, Crowds. Representing the Collective Body and the Myth of Direct Knowledge (p. 234-)

4. From Objects to Things

• Gísli P´lsson, Of Althings! (p. 250-)
• Barbara Dölemeyer, Thing Site, Tie, Ting Place – Venues for the Administration of Law (p. 260-)
• Graham Harman, Heidegger on Objects and Things (p. 268-)
• Richard Rorty, Heidegger and the Atomic Bomb (p. 274-)
• Katrin Werner, 100 Suns. Military Photography Collected by Micael Light (p. 276-)
• Oleg Kharkhordin, Things as Res publica: Making Things Public (p. 280-)
• Angela Zito, Things Chinese. On wu (p. 290-)
• Mara Mills, Dewey’s Transactions. From Sense to Common Sense (p. 292-)

5. From Laboratory to Public Proofs

• Simon Schaffer, Public Experiments (p. 298-)
• Michel Callon, Disabled Persons from All Countries, Unite! (p. 308-)
• Bernard Reber, Public Evaluation and New Rules for“Human Parks” (p. 314-)
• Henning Schmidgen, Hans-Jörg Rheinberger, Circulations. A Virtual Laboratory and Its Elements (p. 320-)
• Hanna Rose Shell, Things under Water: E. J. Marey’s Aquarium Laboratory and Cinema’s Assembly (p. 326-)
• Peter Galison, Rob Moss, Wall of Science (p. 332-)
• Pablo Jensen, Making Electrons Public (p. 334-)
• Inge Hinterwaldner, “Actions of Interest“ in Surgical Simulators (p. 338-)
• Andrei Mogoutov, Alberto Cambrosio, Peter Keating, Making Collaboration Networks Visible (p. 342-)
• Claude Rosental, Making Science and Technology Results Public: A Sociology of Demos (p. 346-)

6. The Great Pan Is Dead!

• John Tresch, ¡Viva la República Cósmica!, or the Children of Humboldt and Coca-Cola (p. 352-)
• Vinciane Despret, “Sheep Do Have Opinions” (p. 360-)
• Isabelle Mauz, Julien Gravelle, Wolves in the Valley. On Making a Controversy Public (p. 370-)
• Jocelyne Porcher, Thierry Schweitzer, About Pigs (p. 380-)
• Donna Haraway, Chicken for Shock and Awe: War on Words (p. 384-)
• Chris S. Herzfeld, What Is It Like to Be Face to Face with a Great Ape? (p. 388-)
• Petra Adolfsson, The Obelisks of Stockholm (p. 396-)
• Werner Krauss, Coastal Environment Made Public. Notes from the Field (p. 398-)

7. Reshuffling Religious Assemblies

• Joseph Leo Koerner, Reforming the Assembly (p. 404-)
• Olivier Christin, Arguing with Heretics? Colloquiums, Disputations and Councils in the Sixteenth Century (p. 434-)
• Christophe Boureux, Dominican Constitutions (p. 444-)
• Anne-Sophie Lamine, Interfaith Celebrations, a New Rite? (p. 448-)
• Patricia de Aquino, Spokespersons of Gods (p. 454-)

8. The Parliaments of Nature

• Mario Biagioli, Galileo’s Traveling Circus of Science (p. 460-)
• Matthias Gommel, Rhine Streaming (p. 474-)
• Christelle Gramaglia, River Sentinels. Finding a Mouth for the Lot River (p. 478-)
• Jean-Pierre Le Bourhis, Water Parliaments: Some Examples (p. 482-)
• Cordula Kropp, River Landscaping in Second Modernity (p. 486-)
• Allan Sekula, The Lottery of the Sea. A Film in Progress (p. 492-)
• Cornel Bierens, The Path of Milk (p. 494-)
• Viestarts Gailitis, Milky Way (p. 497-)

9. Which Assembly for Those Assemblages?

• Valérie Pihet, The Detroit Industry Murals. Diego Rivera (1886-1957) (p. 504-)
• Wiebe E. Bijker, The Politics of Water. A Dutch Thing to Keep the Water Out or Not (p. 512-)
• Albena Yaneva, A Building Is a “Multiverse” (p. 530-)
• Nikolaus Hirsch, Michel Müller, The Architectural Thing. The Making of “Making Things Public” (p. 536-)
• Guillaume Monsaingeon, The Glory of Tournai (p. 540-)
• Bojidar Yanev, Who Is Minding the Bridges? (A Personal Inquiry) (p. 548-)

10. Follow the Paper-Trails

• Susan S. Silbey, Ayn Cavicchi, The Common Place of Law: Transforming Matters of Concern into the Objects of Everyday Life (p. 556-)
• Philippe Geslin, Ellen Hertz, Public International Indigenes (p. 566-)
• Angelika Stepken, The People of Karlsruhe – Constitutional Rights Square (p. 574-)
• Anke te Heesen, The Notebook: A Paper-Technology (p. 582-)
• Peter Galison, Removing Knowledge (p. 590-)
• Peter Galison, Robb Moss, Blocking Things Public (p. 600-)
• Laurent Pfister, Anne-Geneviève Hakim, Frédérique André-Rafatjah, The Image, between Res privata and Res communis (p. 602-)

11. What’s Political in Political Economy?

• Richard Powers, An Artificial Being (p. 614-)
• Alex Preda, The Stock Ticker (p. 622-)
• Daniel Beunza, Fabian Muniesa, Listening to the Spread-Plot (p. 628-)
• Ecke Bonk, This Announcement Appears as a Matter of Record Only! Notes on The New Germany Found Inc / Universalia Non Realia Sed Nomina (p. 634-)
• Emmanuel Didier, Releasing Market Statistics (p. 638-)
• Bureau d’études, Capitalism Cartograms and World Government (p. 642-)
• Franck Cochoy, Catherine Grandclement Chaffy, Publicizing Goldilocks’ Choice at the Supermarket. The Political Work of Shopping Packs, Carts and Talk (p. 646-)
• Harun Farocki, The Creations of the Shopping Worlds (p. 660-)
• Guillaume Paris, Cuddly / We Are the Children (p. 661-)
• Pauline Terreehorst, Gerard de Vries, The Parliament of Fashion (p. 662-)
• Antoine Hennion, Geneviève Teil, Frédéric Vergnaud, Questions of Taste (p. 670-)

12. The Political Aesthetic of Reason

• Lorraine Daston, Hard Facts (p. 680-)
• Lisa Pon, Paint/Print/Public (p. 686-)
• Barbara Cassin, The Evidence of Phryne, or Phryne Stripped Bare by Rhetoric Even (p. 694-)
• Frank Hartmann, Humanization of Knowledge through the Eye (p. 698-)
• Eden Medina, Democratic Socialism, Cybernetic Socialism: Making the Chilean Economy Public (p. 708-)
• Jessica Riskin, Science in the Age of Sensibility (p. 722-)
• Emilie Gomart, Political Aesthetics. Image and Form in Contemporary Dutch Spatial Politics (p. 726-)
• Frédérique Ait-Touati, Public Experiments. On Several Productions of Bertolt Brecht’s "The Life of Galileo" (p. 734-)

13. Parliamentary Technologies

• Robert Koch, Re: Public (p. 746-)
• Jean-Philippe Heurtin, The Circle of Discussion and the Semicircle of Criticism (p. 754-)
• Nicolas Yazgi, Stranded Bodies of Democracy. Cases from the Indian Himalayas (p. 772-)
• Emmanuel Grimaud, How to Make a Still Picture Speak and Walk. The Fabulous Destiny of a Gandhi Follower (p. 778-)
• Ludger Schwarte, Parliamentary Public (p. 786-)
• Teresa Hoskyns, Designing the Agon. Questions on Architecture, Space, Democracy and “the Political” (p. 798-)
• Chantal Mouffe, Some Reflections on an Agonistic Approach to the Public (p. 804-)
• Ash Amin, Nigel Thrift, Helen Baker-Alder, Doreen Massey, Centers Don’t Have to Be Points: Politics beyond State Boundaries (p. 810-)
• Michael Lynch, Stephen Hilgartner, Carin Berkowitz, Voting Machinery, Counting and Public Proofs in the 2000 US Presidential Election (p. 814-)
• Ben Rubin, Dark Source. Public Trust and the Secret at the Heart of the New Voting Machines (p. 828-)
• Brian Springer, Spin. A Documentary on Political Media (p. 834-)
• Delphine Gardey, Turning Public Discourse into an Authentic Artifact: Shorthand Transcription in the French National Assembly (p. 836-)
• Jean-Noël Ferrié, Baudouin Dupret, The Power of Representation: Parliaments of North Africa and the Middle East (p. 844-)
• Christian Nold, Legible Mob (p. 846-)

14. A Search for Eloquence

• Barbara Cassin, Managing Evidence (p. 858-)
• Andrew Barry, Lucy Kimbell, Pindices (p. 872-)
• Futurefarmers, Communiculture (p. 874-)
• Lorenza Mondada, BEcomING COLLECTIVE. The Constitution of Audience as an Interactional Process (p. 876-)
• Laura Naudeix, The Choirs in the Opera. Concocting Common Sense (p. 886-)
• Cyrille Latour, Getting Together in the Cinema (p. 894-)
• Tom Fürstner, Narrative Device IV (p. 898-)
• Multiplicity, Borderdevice(s) (p. 900-)
• Xperiment!, What Is a Body / a Person? Topography of the Possible (p. 906-)
• Steve Dietz, Fair Assembly (p. 910-)
• Sabine Himmelsbach, Blogs. The New Public Forum – Private Matters, Political Issues, Corporate Interests (p. 916-)
• Noortje Marres, Richard Rogers, Recipe for Tracing the Fate of Issues and Their Publics on the Web (p. 922-)
• Margit Rosen, The Chronofile-Society (p. 936-)

15. New Political Passions?

• Peter Sloterdijk, Atmospheric Politics (p. 944-)
• Peter Sloterdijk, Gesa Mueller von der Haegen, Instant Democracy: The Pneumatic Parliament (p. 952-)
• Carey Young, I Am a Revolutionary, 2001/ Everything You've Heard Is Wrong (p. 958-)
• Harwood/ Mongrel, Lungs: Slave Labour (p. 960-)
• Thomas Locher, Allegories of the Political (p. 962-)
• Carbon Defense League, MapHub: HEARD and MapMover (p. 964-)
• Warren Sack, Agonistics: A Language Game (p. 966-)
• Boris Groys, The Fate of Art in the Age of Terror (p. 970-)
• Dominique Linhardt, The Trials of the World – a Fiction (p. 978-)
• Homi Bhabha, Still Life (p. 982-)
• Paul Jobin, The Tragedy of Minamata: Sit-in and Face-to-Face Discussion (p. 988-)
• Isabelle Stengers, The Cosmopolitical Proposal (p. 994-)

Conclusion

• Peter Weibel, Art and Democracy. From Enchantment to Enactment (p. 1008-)